Steve's Digicams


Sony DSC-S70 CyberShot

Playback Screens & Menus



  


Click to take a QuickTime VR tour of the Sony DSC-S70 CyberShot

Typical Playback mode screen with most all of the overlay data displayed. Left to right: Battery condition and time remaining, image size, image number, graphical representation of space left on the memory stick. Across the bottom is the folder name, time and date information.



Click to take a QuickTime VR tour of the Sony DSC-S70 CyberShot

Selecting Index from the popup menu brings up the thumbnail index mode where you can quickly review the stored images and choose one for fullscreen display or deletion.



Click to take a QuickTime VR tour of the Sony DSC-S70 CyberShot

While viewing an image fullscreen you can zoom in up to 5x magnification and then scroll around inside of it to check for composition and focus.



Click to take a QuickTime VR tour of the Sony DSC-S70 CyberShot

The popup menu lets you bring up the Index, move forward or backward through the images, delete images or access the File, Tool or Setup menus (see following frames).



Click to take a QuickTime VR tour of the Sony DSC-S70 CyberShot

File menu options: Format the memory stick, Rotate images, enable the Slide Show, Print Mark for embedding DPOF printing information, Protect images from accidental deletion.



Click to take a QuickTime VR tour of the Sony DSC-S70 CyberShot

Tool menu options: Copy the diskette to another diskette. Resize larger images down to smaller sizes.



Click to take a QuickTime VR tour of the Sony DSC-S70 CyberShot

Setup menu options: Video Out (NTSC or PAL), Language (English or Japanese), Clock set (time and date), Beep (Shutter, On, Off), LCD Bright (onscreen adjustment of the LCD backlight illumination).





Steve's Conclusion

Sony's new "top of the line" CyberShot DSC-S70 is a more than worthy competitor in the crowded arena of three megapixel cameras. It follows and equals the likes of the Nikon 990 and the Olympus C-3030. Image quality is excellent due to Sony's 12- bit A/D conversion, an uncompressed TIFF mode and of course, the Carl Zeiss lens. This is a small and lightweight camera with loads of high performance features but it's also easy enough for anyone to operate. It's priced about $200 below the competition -- and that includes the battery, charger, AC supply and a USB port that eliminates the need for a card reader.

At first I wasn't too keen on the new Memory Stick modules as I figured we didn't need another incompatible flash memory standard. With Sony's manufacturing clout the Memory Stick has been produced in large quantities and has already reached the promised capacity of 64MB. In fact the 64MB MS is cheaper than a comparable 64MB CompactFlash or SmartMedia card, I picked one up for $92.75. Sony promises even bigger MS modules in the next year with capacity up to 256MB. The Memory Stick like the SmartMedia card can be used in a floppy adapter, PCMCIA adpater or card reader so it's very portable.

The one thing I have always liked about Sony cameras is that marvelous InfoLITHIUM "smart" battery system. It is undoubtedly the best rechargeable battery available to consumers today and is in use in millions of camcorders and still digital cameras worldwide. The DSC-S70 uses the smaller "M" series NP-FM50 pack which is rated 7.2v at 8.5W and seems to go forever even when using the color LCD and flash a lot. As with all cameras using this battery system, the S70 displays the amount of battery time left in minutes on the LCD screen at all times. You never have to guess when the battery will go dead, you know exactly how long you have left.

The user interface of the S70 is the same as that used on the Mavica cameras, all of the settings are accessed through a popup menu across the bottom of the color LCD. A few items such as focus and flash can be changed with a push button but all others must be done with the menu system. It is quite intuitive and using the 4-way jog switch you easily navigate the menu and make your selection by pressing the jog switch inwards. The user controls are well placed, the zoom switch is easily accessed even by those of us that aim with the left eye. The real test is just handing a camera to someone whose never used it before and see how they fare. The vast majority took to the S70 like a duck to water.

The color LCD on the S70 is the conventional TFT type, it is not the solar illuminated / reflective type such as the one used on the DSC-F505. Under 95% of the lighting conditions I used the camera in the screen was bright and highly visible. If dealing with direct sunlight however it is about as useless as most other color LCD screens unless shielded with your hand or turned away from the sunlight. It is protected by a plastic cover that is easy to clean. The refresh rate is realtime, the motion is clear and fluid no matter how fast you pan the camera. For most shooting situations you switch off the LCD and use the optical viewfinder. It is large and bright and has a diopter adjustment to make it useable by even those wearing glasses.

Anyone who knows cameras also knows that a great picture starts with a great lens and there just isn't any better optics than Carl Zeiss'. Sony first put a 5x Zeiss Vario-Sonar on last year's DSC-F505 and the images were incredibly sharp and colorful. The DSC-S70 gets a 3x (34-120mm 35mm equivalent) Zeiss Vario-Sonar that is very fast with a maximum aperture of F:2.0-2.5. A faster lens means better low- light shots. The S70 can be used handheld without flash in many lighting conditions that require the use of flash on other cameras.

The Zeiss zoom like the Canon zoom extends outward from the body during use and retracts back in when powered down. The zoom mechanism is robust as well as virtually noiseless. I won't get too technical here, the lens exhibits the usual amount of barrel distortion in wideangle and just a little bit of pinchushioning at the extreme telephoto position. No more or less than what is seen on expensive 35mm SLR zoom lenses. The lens mount is threaded for Sony's lens adapter and they have filters and several add-on lenses available for the S70.

If you're into sports or action photography then the S70 may not suit your purposes as well as the Nikon 990 or the Olympus C-3030. About the only thing lacking in the S70 is a large RAM buffer for burst mode shots. The image processing of the camera is quite fast and even the highest resolution image can be saved in 3 to 4 seconds but there is no sequential or burst mode available in the S70.

The movie recording function is limited to preset time lengths of 5, 10 or 15 seconds maximum. This isn't a replacement for a camcorder but is excellent for recording short, high-quality motion clips with good ambient audio. The 320 x 240 HQ mode produces a 10-sec clip that's about 5MB in size and plays back full screen on the LCD or TV set. Unlike the Olympus C-3030, the S70's zoom lens is functional in the movie mode but you must choose the desired focal length before recording is started. The movie quality is excellent, the color, white balance and focus were on the money 95% of the time even when I just pointed and pressed. The movies are saved as a standard MPEG (MPG) file and easily viewed with the Windows Media Player or any other viewer than handles MPEG format.

Often times we want more in the way of flash illumination. The built in flash units are handy but hardly capable of lighting things up much beyond 8 to 10 feet. Built in flash units are also too close to the lens and there is often a problem with "red-eye" when photographing people. Sony has an optional high power HVL-F1000 flash unit that can be easily connected to the S70 thanks to a dedicated sync port. Unlike the Olympus or Nikon flash units, the HVL-F1000 only costs around $125 so you don't have to take out a second loan just to buy a flash.

As I said at the beginning, the S70 comes complete with a high-capacity lithium rechargeable battery, the charger and the AC supply. It is a proprietary battery so do yourself a favor and buy a spare right off the bat. These batteries go a long way on a charge but once they're dead, they're dead and you can't stick any kind of "off the shelf" battery in there. The NP-FM50 batteries are what I would call reasonably priced, going for about $50 a piece. You can charge the battery in-camera or use one of several different and optional external chargers available from Sony.

So there you have it. Sony strikes again with an excellent camera that's easy to use, produces vivid and sharp images and comes with everything you need in the base package -- at about $200 less than the competition. It's digital inside and out but "looks and feels" like a regular 35mm camera so even the newbies won't be intimidated by it a bit. It's a little larger than pocket size but still small enough and light enough to be toted on all-day excursions without giving you neck strain. If you don't need the three megapixel image size then check out the less expensive and lower resolution DSC-S50 or DSC-S30 cameras instead.








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